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Buy now and save!īuy Adobe ® Creative Suite ® 5.5 Master Collection ® at Today's Low Prices & Get CS6Īttention Adobe Editors! Now is the time to make sure all of your existing software is up to date. The latter also bodes well for forthcoming Canon camcorders, which record in a compatible format.Adobe Master Collection CS6 is coming soon. AVC-Intra 100 and AVCCAM files are now supported natively, as are 10-bit Digital Picture Exchange (DPX) files and Sony’s Long GOP MPEG-2-based XDCAM HD 50, which incorporates 4:2:2 colour. Adobe added compatibility with H.264-based video formats in CS4, and CS5 consolidates on this. The range of natively supported video types has been further expanded. Nevertheless, Premiere Pro CS5 does have some new capabilities that aren’t directly the result of the Mercury Playback Engine’s 64-bit code. Since Premiere Pro CS5’s new underlying code is so intertwined with being 64-bit, a 32-bit version would miss out on a large part of what’s new in this upgrade. Sony has been offering 64-bit versions of Vegas for a couple of years now, but these have been developed alongside a continuing 32-bit alternative. If you’re still running a 32-bit environment, you’ll have to stick with CS4. However, there is another price to pay for the Mercury Playback Engine’s level of smoothness, and this is why CS5 is a watershed, rather than just a huge upgrade. Nevertheless, the system was using close to 100% of overall processor time during playback, across all four cores, showing that Adobe is making full use of multiple threads. It also had trouble when applying multiple effects to footage shot on the RED camera at a resolution of 2,816 x 2,304. Whereas Premiere Pro CS4 would struggle with a couple of layers of HDV, this version can mix multiple tracks in real time, and scrub even more with a useful level of fluidity.įor example, on our test rig, a workstation featuring a quad-core 2.2GHz AMD Phenom 9550 CPU and 6GB of DDR2 memory, Premiere Pro CS5 managed to play five layers of 720p DVC Pro HD fluidly, although it began to skip frames above this. The new codebase underlying both Premiere Pro and After Effects CS5 is being called the Mercury Playback Engine, and the smooth but shiny fluid connotations aren’t unwarranted.

The CS5 version is a huge release, drawing a line underneath the last four versions. With this in mind, at long last Adobe has taken the plunge and moved its mainstream desktop video editor, Premiere Pro, to 64-bit. Huge hard disks are required, and holding frames in memory during editing takes all the RAM you can throw at it, more so since the move to high definition.

Video production is one of the most memory-intensive tasks a computer can perform.

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